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Halloween is useful to me because it is honest about play. For one evening the costume is allowed to be a costume. The rest of the year, the same ideas about cowboys, princesses, soldiers, and brides show up as ordinary clothes and get called natural. A Sears costume page from the late 1950s puts the lesson in one place: hats, guns, wands, and aprons, each tied to a kind of child. I have written about the cowboy version in playing cowboy in the 1950s. The costume counter is the same lesson with the price tag still attached.
Store-bought costumes matter more, for this research, than the homemade sheet ghost. A parent with scissors can ignore the catalog. A parent with a catalog and a Saturday deadline is offered a short menu. That menu is where I can see which roles were easy to buy and which roles required extra work. Cowboy and Indian suits, nurse and doctor kits, bride dresses, animal suits: the stock changes by decade, and the sex labels change with it. In some years a devil suit is listed once, for any child. In others the devil is a boy and the cat is a girl, with no argument offered, only two boxes.
The interesting failures are the costumes that cross. A girl in a cowboy hat is visible in photographs long before she is comfortable in the copy. The catalog may show her, then tuck her into a smaller frame, then drop her. When she remains, the caption sometimes explains her, as if the picture were a problem. Those explanations are gold. They tell me the boundary was visible to the seller, which means it was visible to the buyer.
I do not treat Halloween as a harmless exception. Children rehearse. A costume worn at six becomes a memory of what felt allowed. The rehearsal is louder than a Tuesday romper, and it is sold next to the Tuesday romper in the same fall book. If you are cataloging a costume page, use the same steps as any other garment: words first, then props, then who is missing. The method is written out in how to read a catalog romper. Older posts on dress-up sit on the home page under the archives.
One caution: a costume photograph in a family album is not a catalog. The child may have refused the purchased plan. I like those refusals, and I try not to smooth them into the retail story. The retail story is what was for sale. The album is what happened. Both belong in the notes, in different columns.
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Jo PaolettiProfessor Emerita Archives
February 2020
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